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“Mary of Nazareth” (Ignatius Press Films) - Catholic News Service classification, A-II - adults and adolescents. Not rated by the Motion Picture Association of America. The Catholic News Service classification is A-II - adults and adolescents. Several scenes of bloody violence and death. But for the rest of the family, the film makes for an enriching catechetical experience that’s also both inspiring and entertaining. The depictions of the slaughter of the innocents and the Passion are graphic, even harrowing, which pre-teens might find upsetting. Mary not only shares her son’s public ministry, but also his pain. After the Annunciation, Mary and Joseph (Luca Marinelli) are married, and welcome Jesus as their child. Working from a script by Francesco Arlanch, director Giacomo Campiotti more or less follows the biblical account, with a few intriguing departures, inspired by apocryphal writings, that heighten the drama. The story of the Gospels unfolds through the eyes of the Mother of God in this beautiful and moving depiction of the life of Mary (Alissa Jung) from her childhood through the resurrection of Jesus (Andreas Pietschmann). “Mary of Nazareth” (Ignatius Press Films) McAleer is a guest reviewer for Catholic News Service. For more information, visit The film contains several scenes of bloody violence and death. “Mary of Nazareth” is available for sponsored screenings in theaters, and is expected to be released on DVD later this year. The film is fittingly dedicated “to all mothers, whose life-giving, sacrificial love, like Mary, changes the world.” The depictions of the slaughter of the innocents and the Passion are graphic, even harrowing, which pre-teens might find upsetting.īut for the rest of the family, “Mary of Nazareth” makes for an enriching catechetical experience that’s also both inspiring and entertaining. She literally crawls up the hill of Calvary on her hands and knees to be near her dying son. Every blow during the scourging is felt by Mary, as is the slow agony of Crucifixion. Mary not only shares her son’s ministry, but also his pain. But when she asks him for assistance with the wine at Cana, she later worries she was impulsive, forcing Jesus to act before he was ready. Once Jesus (Andreas Pietschmann) begins his public ministry (“He couldn’t stay and be a carpenter forever,” Joseph says), Mary is always present, strong and compassionate, helping when she can. Mary possesses a strong, almost psychic bond with her young son, aware when he is hurt or in danger, and experiencing visions of his future Passion in her mind. The Nativity (unfortunately, Joseph misses the birth, as he leaves the cave to fetch water) is beautifully rendered.
I always knew you were a mystery, but I never knew how great a mystery.” After Mary’s betrothal to Joseph (Luca Marinelli), and the Annunciation, a resigned Joachim tells Mary, “Forgive me. Her parents are happy but often perplexed. Mary (Alissa Jung) is a joyful but special child, one whom dogs and snakes fear. Mary’s parents, Ann (Antonella Attili) and Joachim (Roberto Citran), hide their young daughter, keeping her safe. The script, by Francesco Arlanch, more or less follows the biblical account, with a few intriguing departures, inspired by apocryphal writings, that heighten the drama.įor example, we are told that King Herod (Andrea Giordana) heard a prophesy of a girl who would one day bring forth a savior, prompting him to terrorize Judea, in a precursor to the slaughter of the innocents. Italian director Giacomo Campiotti (2002’s “Doctor Zhivago”) has produced a handsome and respectful film, with a gifted international cast and some luminous cinematography shot in Tunisia. NEW YORK (CNS) - The story of the Gospels unfolds through the eyes of the mother of God in “Mary of Nazareth” (Ignatius Press Films), a beautiful, often moving depiction of the life of Mary from her childhood through the passion and resurrection of her son.
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